Lead vocal
Billy Joel
Microphone
Beyer 250
VerifiedUsed for Joel's lead vocals, which were recorded live at the same time as the piano.
Source: Mix, accessed 15 Nov 2026
Guitars
Steve Kahn
Microphone
Sony C-37
VerifiedMicrophones used on the guitars, which sat in an isolation booth with its front removed.
Source: Mix, accessed 15 Nov 2026
Bass
Doug Stegmeyer
Input chain
Equaliser the DI bass signal was put through while tracking.
Source: Mix, accessed 15 Nov 2026
Covers this kind of unit
Heritage Audio LANG PEQ-2
equaliser
Models the Lang PEQ-2, the maker's best-known programme equaliser. The source does not name the model, so this stands for the maker's family of units: it is not a model of the one on the record.
Drum kit
Liberty DeVitto
Microphone
AKG D12
VerifiedKick drum microphone, described as a fairly new mic at the time.
Source: Mix, accessed 15 Nov 2026
Piano and keyboards
Billy Joel
Instrument
Boyer thinks the main keyboard sound on this track was a Rhodes, processed with tape phasing, and that there were probably only two keyboards.
Source: Mix, accessed 15 Nov 2026
Emulation of this unit
Arturia Stage-73 V
instrument
A physical model of the Rhodes Stage and Suitcase electric pianos.
Tracking and mix room
Input chain
Neve 8078
VerifiedConsole in the A-1 control room used for tracking at the 7th Avenue studio.
Source: Mix, accessed 15 Nov 2026
Approximate
Waves NLS Non-Linear Summer
console emulation
A console-summing plugin that includes one Neve desk. It gives a Neve flavour, not this console's channels.
Multitrack recorder for tracking, with two 16-track machines sometimes used instead for cleaner sound.
Source: Mix, accessed 15 Nov 2026
Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look: Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape).
Mix effects
Modified plate reverbs at the 48th Street studio, where the album was mixed, which Ramone liked.
Source: Mix, accessed 15 Nov 2026
Close match
Universal Audio EMT 140 Classic Plate Reverberator
reverb
The 140 is the EMT plate most studios have; the source does not name the model.
Also worth a look: Waves Abbey Road Reverb Plates (Models the EMT 140 plates at Abbey Road).
Sources
- Classic Tracks: “My Life,” Billy Joel, Mix, 2013-10. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
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