Background vocals
Terry Kath, Robert Lamm and Peter Cetera
Mix effects
UREI 1176
ReportedThe mix engineer believes he probably used an 1176 on the background vocals when mixing the album.
Source: Mix, accessed 15 Nov 2026
Emulation of this unit
Universal Audio 1176 Classic Limiter Collection
compressor
Models several revisions of the 1176, including the blackface units.
Also worth a look: Waves CLA-76 Compressor / Limiter (Models two 1176 revisions (blacky and bluey)).
Guitar riff and solos
Terry Kath
Amplifier
Amplifier Kath played through for the main guitar riff, modified in a way the producer attributes to Kath himself.
Source: Mix, accessed 15 Nov 2026
Approximate
IK Multimedia AmpliTube 5
amp and cabinet simulator
An amp and cabinet simulator covering this style of amplifier. Whether this exact model is included was not checked.
Also worth a look: Native Instruments Guitar Rig 7 Pro (An amp and cabinet simulator covering this style of amplifier. Whether this exact model is included was not checked).
Mix effects
At the mix, Puluse sent Kath's guitar parts through the EMT plates to get delay effects.
Source: Mix, accessed 15 Nov 2026
Close match
Universal Audio EMT 140 Classic Plate Reverberator
reverb
The 140 is the EMT plate most studios have; the source does not name the model.
Also worth a look: Waves Abbey Road Reverb Plates (Models the EMT 140 plates at Abbey Road).
Bass
Peter Cetera
Instrument
Fender Precision Bass
ReportedCetera played the producer's own Precision rather than his usual Fender bass on these sessions.
Source: Mix, accessed 15 Nov 2026
Amplifier
Fender Bassman
ReportedThe bass amplifier was either a Fender Bassman or a Showman; the article does not say which. (recalled with uncertainty)
Source: Mix, accessed 15 Nov 2026
Emulation of this unit
Native Instruments Guitar Rig 7 Pro
amp and cabinet simulator
Its Tweedman amp is modelled on the Fender Bassman.
Also worth a look: IK Multimedia AmpliTube 5 (Includes Fender-style tweed amp models; an official Bassman model is sold as an add-on collection).
Microphone
Neumann U 67
ReportedLike the other instruments, the bass was miked with one of Guercio's preferred Neumanns, either a U67 or a U87. (recalled with uncertainty)
Source: Mix, accessed 15 Nov 2026
Drums (two passes)
Danny Seraphine
Instrument
Seraphine's kit at the time was a white marine pearl Rogers set with a 24-inch kick drum.
Source: Mix, accessed 15 Nov 2026
Approximate
Toontrack Superior Drummer 3
drum instrument
A sampled drum instrument. It does not claim to be this kit or drum.
Seraphine's kit at the time included a wood Dynasonic snare.
Source: Mix, accessed 15 Nov 2026
Approximate
Toontrack Superior Drummer 3
drum instrument
A sampled drum instrument. It does not claim to be this kit or drum.
Piano
Robert Lamm
Instrument
Lamm played the studio's Steinway piano during basic tracking.
Source: Mix, accessed 15 Nov 2026
Horns and mix
Microphone
Neumann U 67
ReportedThe horn section was recorded with Guercio's favourite U67s and U87s.
Source: Mix, accessed 15 Nov 2026
Neumann U 87
ReportedThe horn section was recorded with Guercio's favourite U67s and U87s.
Source: Mix, accessed 15 Nov 2026
Mix effects
Ampex 350
ReportedThe mix rooms mixed down to an Ampex 350 two-track quarter-inch machine.
Source: Mix, accessed 15 Nov 2026
Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look: Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape).
The mix was done on a console made in-house for each of CBS's mix rooms.
Source: Mix, accessed 15 Nov 2026
Sources
- Classic Tracks: Chicago’s “25 or 6 to 4”, Mix, 2019-07. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
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