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How It Was Recorded

Earth, Wind & Fire · Album, 1975

That's the Way of the World

9 sourced items across 4 sectionsVerified7Reported1Inferred1

This is an album-level record: the sources describe how the album as a whole was recorded, not one song. Where a detail belongs to a single song, the row says so.

Songs this record stands for: Shining Star, That's the Way of the World. We found nothing specific to these songs, so this album record is the closest account we have.

What the sources do and do not say

One Mix Classic Tracks article, read in full. It is about the song but its gear detail is thin: the mix and Caribou comments are Massenburg's recollections of the album sessions, so most rows are album-level, and the KM84 remark is about his practice in that period. Microphones, amps and the drum kit are not named; Dunn's stage pedal is not listed because he says Massenburg asked him not to use it on this record.

Vocals

1 item

Maurice White and Philip Bailey

Microphone

  • The real chain

    Neumann KM 84

    InferredUsual practice

    Usual practice, not stated for this record: Massenburg says that in that period he used a hand-modified KM 84 on vocals.

    A suggestion, not a documented fact: Massenburg describes his vocal microphone for that era, not this song specifically.

    Source: Mix, accessed 15 Nov 2026

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    No plugin suggested. Microphone-modelling plugins only work with their own matched hardware microphone, so there is no plugin to link. Placement and the room matter more than the model.

Drums

1 item

Maurice White

Mix effects

  • The real chain

    Eventide Phaser

    Verified

    At the mix Massenburg ran Maurice White's original drums through a heavy phaser and placed them well back.

    Source: Mix, accessed 15 Nov 2026

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    Close match

    Eventide Instant Phaser Mk II

    modulation

    Eventide's plugin version of its Instant Phaser. The source does not name the model.

Rhodes

1 item

Larry Dunn

Instrument

  • The real chain

    Rhodes Rhodes (model not stated)

    ReportedOne song

    The article reports that the chorus hook came from Dunn on his Rhodes.

    Source: Mix, accessed 15 Nov 2026

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    No plugin suggested. The source does not name the model, so no specific plugin can be suggested.

Mix and tracking equipment

6 items

Input chain

  • The real chain

    Ampex 1000

    Verified

    The 24-track machine at the Caribou Ranch sessions, which Massenburg disliked.

    Source: Mix, accessed 15 Nov 2026

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    Approximate

    Slate Digital Virtual Tape Machines

    tape

    Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.

    Also worth a look 1

Mix effects

  • The real chain

    Unidentified Live echo chambers (Hollywood Sound)

    Verified

    Massenburg says the reverbs on the record were the live chambers at Hollywood Sound.

    Source: Mix, accessed 15 Nov 2026

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    Covers this kind of unit

    Universal Audio Capitol Chambers

    reverb

    A real echo chamber, the same method as the one on the record: a loudspeaker and microphones in a hard, empty room. It is not a model of this chamber, so set the decay by ear.

  • The real chain

    Unidentified Digital delay (model not stated)

    Verified

    Massenburg says early digital delays were used in the mix and produced squeaks and squeals.

    Source: Mix, accessed 15 Nov 2026

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    Soundtoys PrimalTap

    delay

    Models an early studio digital delay, the Lexicon Prime Time, so it has the same grainy, band-limited repeats. It is not a model of the unit on the record, which the source does not name.

  • The real chain

    George Massenburg Mic preamp (model not stated)

    Verified

    Massenburg says part of the processing came from a mic preamp he was building himself.

    Source: Mix, accessed 15 Nov 2026

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    No plugin suggested. The source does not name the model, so no specific plugin can be suggested.

  • The real chain

    George Massenburg Compressor (model not stated)

    Verified

    Massenburg says part of the processing came from a compressor he was building himself.

    Source: Mix, accessed 15 Nov 2026

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    Covers this kind of unit

    Massenburg DesignWorks MDWDRC2-Native

    compressor

    George Massenburg's own software dynamics processor, built on the loudness-sensing ideas of his GML hardware. The source does not name the model, so this stands for the maker's family of units: it is not a model of the one on the record.

  • The real chain

    George Massenburg Equaliser (model not stated)

    Verified

    Massenburg says part of the processing came from one of his early equalisers.

    Source: Mix, accessed 15 Nov 2026

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    Covers this kind of unit

    Massenburg DesignWorks MDW Parametric EQ

    equaliser

    George Massenburg's own parametric EQ plugin, the same clean parametric design as his hardware. The source does not name the model, so this stands for the maker's family of units: it is not a model of the one on the record.

Sources

  1. Classic Tracks: Earth, Wind & Fire's "Shining Star", Mix, 2004-12. Accessed 15 Nov 2026.

What the ratings mean

Verified

Stated by the engineer, producer or artist, or by the manufacturer.

Reported

Stated by a reputable secondary source.

Inferred

An educated suggestion, not a documented fact.

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