Hozier · Album, 2013
Hozier
We have no album-wide recording chain for this album yet, only the songs below and what their sources say about the album sessions as a whole.
Songs from this album
From the album sessions
Statements the sources make about the sessions for this album as a whole, not about one song. Each is listed once, with the song record it comes from.
Neumann CMV563VocalsVerified
Album sessions, not stated for this song: Main vocal microphone for Hozier, fitted with an M7 capsule and run through a Martech preamp, giving a pleasing distortion on loud singing.
From the record for Take Me to Church, where the source is linked.
Martech MSS10VocalsVerified
Album sessions, not stated for this song: Preamp in the CMV563 vocal chain, which distorted in a way Kirwan liked when Hozier sang loudly.
From the record for Take Me to Church, where the source is linked.
Sennheiser M441VocalsVerified
Album sessions, not stated for this song: Safety microphone placed on Hozier's voice alongside the main mic, blended with it at the mix (the preamp on it was a 1071).
From the record for Take Me to Church, where the source is linked.
Inward Connections Vac RacVocalsVerified
Album sessions, not stated for this song: EQ on Hozier's vocals in the recording chain.
From the record for Take Me to Church, where the source is linked.
Teletronix LA-2AVocalsVerified
Album sessions, not stated for this song: Compressor on Hozier's vocals while tracking.
From the record for Take Me to Church, where the source is linked.
Eastwood AirlineGuitarVerified
Kirwan's own guitar that Hozier loved and used prominently across the album.
From the record for Take Me to Church, where the source is linked.
Electro-Harmonix Memory ManGuitarVerified
Album sessions, not stated for this song: First pedal in the guitar chain, run with the gain pushed up.
From the record for Take Me to Church, where the source is linked.
ProCo RatGuitarVerified
Distortion pedal in the album's guitar chain.
From the record for Take Me to Church, where the source is linked.
Vox AC15GuitarVerified
Album sessions, not stated for this song: Hand-wired amp that the guitar chain fed.
From the record for Take Me to Church, where the source is linked.
Knas Ekdahl MoisturizerGuitarVerified
Album sessions, not stated for this song: Spring reverb at the end of the guitar chain.
From the record for Take Me to Church, where the source is linked.
Ampeg SVTBass and synth bassVerified
Album sessions, not stated for this song: 1970s bass amp used for the bass guitar.
From the record for Take Me to Church, where the source is linked.
Neumann U 47 fetBass and synth bassVerified
Album sessions, not stated for this song: Microphone on the SVT bass amp.
From the record for Take Me to Church, where the source is linked.
Neve 1073Bass and synth bassVerified
Album sessions, not stated for this song: Preamp for the bass amp microphone.
From the record for Take Me to Church, where the source is linked.
Teletronix LA-2ABass and synth bassVerified
Album sessions, not stated for this song: Compressor on the bass after the preamp.
From the record for Take Me to Church, where the source is linked.
Sequential Circuits Pro OneBass and synth bassReported
Album sessions, not stated for this song: Synth that became a big part of the bottom-end sound on the record; Kirwan says he tends to record it direct. (recalled with uncertainty)
From the record for Take Me to Church, where the source is linked.
Neumann CMV563DrumsVerified
Album sessions, not stated for this song: Used with the M7 capsule as an ambient drum mic feeding the Fatso chain.
From the record for Take Me to Church, where the source is linked.