Lead and backing vocals
Petula Clark and the Breakaways
Microphone
Usual practice, not stated for this record: One of two alternatives the engineer names for the lead and backing vocals; he does not say which was used. (recalled with uncertainty)
A suggestion, not a documented fact: Prickett describes his usual miking in the course of discussing the session, with 'either' alternatives.
Source: Sound On Sound, accessed 15 Nov 2026
Usual practice, not stated for this record: The other alternative the engineer names for the lead and backing vocals; he does not say which was used. (recalled with uncertainty)
A suggestion, not a documented fact: Prickett describes his usual miking in the course of discussing the session, with 'either' alternatives.
Source: Sound On Sound, accessed 15 Nov 2026
Drum kit
Ronnie Verrell
Microphone
Bass drum microphone in the engineer's usual three-microphone drum setup.
- Position
- On the bass drum
A suggestion, not a documented fact: Prickett explains how he would usually record drums.
Source: Sound On Sound, accessed 15 Nov 2026
Pair of drum overhead microphones in the engineer's usual setup, using whichever of these models was to hand.
- Position
- Overhead
A suggestion, not a documented fact: Prickett explains how he would usually record drums.
Source: Sound On Sound, accessed 15 Nov 2026
Piano
Microphone
Usual practice, not stated for this record: Stereo microphone used on the piano.
- Position
- Inside the piano with the lid partly open and a cover over the top
A suggestion, not a documented fact: Ray Prickett describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Sources
- Classic Tracks: Petula Clark 'Downtown', Sound On Sound, 2012-01. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
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