Avid Pro Tools

Records it appears on · 22

• bad guy

  Billie Eilish · When We All Fall Asleep, Where Do We Go?, 2019

  • Production DAW, summing and stereo mix chain · Mix effectsVerifiedPro Tools HD Native system. Mix DAW; stems loaded into Kinelski's routing templateSettings: Stems at unity matched Finneas's reference
• 24K Magic

  Bruno Mars · 24K Magic, 2016

  • Mix · Mix effectsReportedThe mix engineer mixed the album in this DAW.
• Gasolina

  Daddy Yankee · Barrio Fino, 2004

  • Lead vocal · Input chainReportedRecorder the vocal went into, with only slight compression applied.
• Get Lucky

  Daft Punk · Random Access Memories, 2013

  • Bass guitar · Input chainVerifiedBass retake captured to tape and Pro Tools at the same time
• It's Not Over

  Daughtry · Daughtry, 2006

  • Lead vocal · Input chainReportedRecorder the vocal chain went straight into; the spec box gives the system as Pro Tools|HD.
• Songs from an American Movie Vol. One: Learning How to Smile

  Everclear · Album, 2000

  • Vocals · Input chainReportedVocals were tracked to a click track straight into Pro Tools at the basement studio.
  • Acoustic guitars · Input chainReportedAcoustic guitars were tracked to a click track straight into Pro Tools at the basement studio.
• The Reason

  Hoobastank · Album, 2004

  • Drums · Input chainVerifiedHesse says the drum takes were dumped into Pro Tools and then edited heavily on The Reason.
• Can't Get You Out of My Head

  Kylie Minogue · Fever, 2001

  • Final recording and mix · Mix effectsVerifiedEverything was recorded into Pro Tools when the song was taken to a Pro Tools room, where it was mixed.
• Need You Now

  Lady Antebellum · Album, 2009

  • Recording system · Input chainReportedTracking at the studio is mostly done to Pro Tools, and Need You Now was recorded at 24-bit and 96 kHz.Settings: 24-bit, 96kHz
• Old Town Road (Billy Ray Cyrus version)

  Lil Nas X featuring Billy Ray Cyrus · Old Town Road, 2019

  • Billy Ray Cyrus vocals · Input chainVerifiedRecording and comping environment: every take was collected on a single vocal track and comped into one long lead.
• 4 Minutes

  Madonna featuring Justin Timberlake and Timbaland · Hard Candy, 2008

  • Backing track programming and recording · Input chainVerifiedRecording medium for the sessions, at 44.1 kHz and 24-bit.
• Songs About Jane

  Maroon 5 · Album, 2004

  • Overdub room and recording system · Input chainVerifiedRecording system for the sessions, used instead of tape although tape was available.
• Why Does My Heart Feel So Bad?

  Moby · Play, 1999

  • Sampled gospel vocal · Mix effectsVerifiedMoby tried a surface-noise removal filter on the vocal sample, then dropped the result because it took away the sample's character.
• Vampire

  Olivia Rodrigo · Guts, 2023

  • Editing and mix tools · Mix effectsVerifiedUsed to slow the first verse by 1bpm, moving transients by hand to avoid audible artefacts.
• Dreaming Out Loud

  OneRepublic · Album, 2006

  • Tracking and mix signal path · Input chainVerifiedRecording system for the album sessions at Greg Wells' Rocket Carousel studio.
• Speakerboxxx/The Love Below

  OutKast · Album, 2003

  • Tracking and mixing system · Mix effectsVerifiedPogue says Hey Ya! was the first mix he did in Pro Tools.
• The Only Difference Between Martyrdom and Suicide Is Press Coverage

  Panic! at the Disco · A Fever You Can't Sweat Out, 2005

  • Cello, percussion and mix · Input chainReportedRecording system for the project (Pro Tools|HD).
• Millennium

  Robbie Williams · I've Been Expecting You, 1998

  • Programming and tracking · Input chainReportedUsed by the programmer, together with Logic Audio, to program the backing track.
• Supernatural

  Santana featuring Rob Thomas · Album, 1999

  • Recording and mix chain · Input chainVerifiedThe system the session was recorded to; Thoener names Mark Dobson as their Pro Tools expert and says the producer owns his own setup.
• Break the Cycle

  Staind · Album, 2001

  • Lead vocal · Input chainVerifiedVocals were recorded into Pro Tools, with drives moved between the studios used.

Sources for each use are on the record’s own page.

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