Gear · software
Waves Renaissance Compressor
Records it appears on · 9
- bad guy
Billie Eilish · When We All Fall Asleep, Where Do We Go?, 2019
- Sub bass (subbass1/subbass2, with 'dirtybass' double in the hooks) · Mix effectsVerifiedDucks the sub bass slightly against the kickSettings: 20:1, fast attack, medium release, lightly side-chained from the first kick track
- Take Me to Church
Hozier · Hozier, 2013
- Vocals · Mix effectsVerifiedCompression on the verse lead vocals in this song's session.
- All the Stars
Kendrick Lamar and SZA · Black Panther: The Album, 2018
- Synth pads and bass synth · Mix effectsVerifiedCompressor on the summed synth track, holding the synth parts in place.Settings: Ratio 4.8:1
- 7 Years
Lukas Graham · Lukas Graham, 2015
- Piano and keyboards · Mix effectsVerifiedGentle gain reduction on the piano to help it sit.
- 4 Minutes
Madonna featuring Justin Timberlake and Timbaland · Hard Candy, 2008
- Hook vocal group (all three singers) · Mix effectsVerifiedCompressed the hook vocal subgroup that contains all the vocals in the hook.
- Drums and percussion · Mix effectsVerifiedUsed on the kick before the desk to keep its level in check without changing its sound.
- The Only Difference Between Martyrdom and Suicide Is Press Coverage
Panic! at the Disco · A Fever You Can't Sweat Out, 2005
- Lead vocal · Mix effectsReportedPlug-in compressor giving the final processing on the vocal.
- Happy
Pharrell Williams · Girl Despicable Me 2: Original Motion Picture Soundtrack, 2013
- Lead and backing vocals (mix) · Mix effectsVerifiedCompressor on each lead vocal track, set differently for the verse and the hook leads.
- SOS
Rihanna · A Girl like Me, 2006
- Lead vocal · Mix effectsVerifiedCompressed the lead vocal to keep its level fairly constant and forward, in its Opto mode, with a modest ratio.Settings: Opto button engaged; ratio described as not high
- Backing vocals · Mix effectsVerifiedCompressed the background vocals.
- Rare
Selena Gomez · Rare, 2020
- Lead vocal · Mix effectsVerifiedCompressed the vocal tracks in the shared insert chain to make her voice bigger and more exciting, with heavy squashing.Settings: Ratio of nearly 7; around 5 dB of gain where the vocal does not reach the threshold
Sources for each use are on the record’s own page.
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Waves Renaissance Compressor
compressor
The plugin used on the record.
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