Lead vocal and voice loops
Eric Stewart, Kevin Godley, Lol Creme, Graham Gouldman
Microphone
Neumann U 67
ReportedEric Stewart's lead vocal was recorded through his usual valve U67, with no reverb or EQ applied.
Source: Sound On Sound, accessed 15 Nov 2026
Neumann U 67
VerifiedKevin, Lol and GiGi stood around a valve U67 to sing the 'Aahhh' notes that were then built into the voice loops.
Source: Sound On Sound, accessed 15 Nov 2026
Input chain
A Studer stereo machine took the mixed-down voice notes and ran them as a long tape loop, which was then bounced back to the 16-track.
Source: Sound On Sound, accessed 15 Nov 2026
Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look: Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape).
Rhythm guitar
Amplifier
Recorded direct (DI), no amplifier
VerifiedThe rhythm guitar part was a Gibson 335 recorded direct, with no amplifier.
Source: Sound On Sound, accessed 15 Nov 2026
Bass solo
Graham Gouldman
Input chain
dbx 160
VerifiedCompressed the direct-injected Rickenbacker for the bass solo so that its full, punchy tone stayed controlled and even.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Universal Audio dbx 160 Compressor / Limiter
compressor
Made with dbx as a model of the original 160.
Also worth a look: Waves dbx 160 Compressor / Limiter (Made with dbx as a model of the original 160).
Drums and bass-drum part
Kevin Godley
Microphone
Overhead microphones on Kevin Godley's Ludwig kit during the album's sessions.
- Position
- overhead
Source: Sound On Sound, accessed 15 Nov 2026
Bass drum microphone on Godley's kit during the album's sessions.
- Position
- in the bass drum
Source: Sound On Sound, accessed 15 Nov 2026
Snare microphone on Godley's kit during the album's sessions.
- Position
- under the snare
Source: Sound On Sound, accessed 15 Nov 2026
Hi-hat microphone on Godley's kit during the album's sessions, also picking up some snare brightness.
- Position
- on the hi-hat
Source: Sound On Sound, accessed 15 Nov 2026
Fender Rhodes
Eric Stewart
Instrument
Fender Rhodes electric piano
VerifiedStewart played the Rhodes on the single mono track alongside the bass drum and a rough guide vocal, to keep the song's timing.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Arturia Stage-73 V
instrument
A physical model of the Rhodes Stage and Suitcase electric pianos.
Recording chain
Eric Stewart (engineer)
Input chain
Strawberry Studios' new Helios wraparound desk, which Stewart engineered from, was the console for the album sessions.
Source: Sound On Sound, accessed 15 Nov 2026
Close match
Universal Audio Helios Type 69 Preamp and EQ Collection
preamp and EQ
Models the Helios Type 69 channel, with its transformer microphone preamp and three-band equaliser. The source does not say which Helios desk was used.
The 16-track multitrack used for the Original Soundtrack album sessions, replacing the earlier eight-track Scully.
Source: Sound On Sound, accessed 15 Nov 2026
Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look: Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape).
Sources
- Classic Tracks: 10cc 'I'm Not In Love', Sound On Sound, 2005-06. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
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