Lead vocal
Chris Martin
Microphone
Main lead vocal microphone on this song, according to the session notes.
Source: Sound On Sound, accessed 15 Nov 2026
Chosen for Chris Martin's vocals on the album after shootouts against vintage Neumanns and newer 47-style and 251-style mics.
Source: Sound On Sound, accessed 15 Nov 2026
Hand-held vocal mic Martin sometimes preferred; a lot of these takes made the album.
Source: Sound On Sound, accessed 15 Nov 2026
Telefunken M80
VerifiedUsed for an extra lead vocal track, mixed in very low, from when Martin was using this mic.
Source: Sound On Sound, accessed 15 Nov 2026
Telefunken 251
ReportedA lead vocal double is marked 251, which Simpson takes to indicate that Martin also used that mic. (recalled with uncertainty)
Source: Sound On Sound, accessed 15 Nov 2026
Input chain
Mic preamp used for both the Shure SM58 and the Soyuz on Martin's vocals across the album.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
SPL TwinTube
VerifiedOn the main verse lead vocal, adding saturation.
Source: Sound On Sound, accessed 15 Nov 2026
Kush Audio UBK1
VerifiedOn the main verse lead vocal, adding crunch as one of several light compression stages.
Source: Sound On Sound, accessed 15 Nov 2026
On the main verse lead vocal as one of several lightly used compressors.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Universal Audio Fairchild Tube Limiter Collection
compressor
The plugin named in the source.
On the main verse lead vocal alongside other lightly used dynamics.
Source: Sound On Sound, accessed 15 Nov 2026
Waves H-Delay
VerifiedDelay on a send from the main verse lead vocal.
Source: Sound On Sound, accessed 15 Nov 2026
Two instances on the main chorus lead vocal.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Universal Audio Pultec Passive EQ Collection
equaliser
The current version of the plugin used on the record.
FabFilter Pro-DS
VerifiedTwo instances de-essing the chorus lead vocal, one for high sibilance and one lower down.
- Settings
- One instance targets high sibilance, the other the region around 2 kHz.
Source: Sound On Sound, accessed 15 Nov 2026
Waves Renaissance Vox
VerifiedOn the main chorus lead vocal.
Source: Sound On Sound, accessed 15 Nov 2026
Mono delay on a send from the chorus lead vocal.
Source: Sound On Sound, accessed 15 Nov 2026
FXpansion Bloom
VerifiedWide stereo delay on a send from the chorus lead vocal.
Source: Sound On Sound, accessed 15 Nov 2026
EastWest QL Spaces
ReportedMain reverb on Chris Martin's lead vocal, per the caption.
Source: Sound On Sound, accessed 15 Nov 2026
Beyoncé vocal
Beyoncé
Microphone
Usual practice, not stated for this record: Simpson says Beyoncé favours this mic.
A suggestion, not a documented fact: Rik Simpson describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Input chain
Album sessions, not stated for this song: Preamp Simpson brought when recording Beyoncé at Chris Martin's house.
Source: Sound On Sound, accessed 15 Nov 2026
Guitars
Mix effects
Soundtoys PanMan
VerifiedOn the guitars to give them movement.
Source: Sound On Sound, accessed 15 Nov 2026
Channel strip on the guitars, one of his go-to plug-ins.
Source: Sound On Sound, accessed 15 Nov 2026
Wavesfactory TrackSpacer
VerifiedOn the eBow guitar hook at the end, side-chained to the vocal so it makes space.
Source: Sound On Sound, accessed 15 Nov 2026
Bass
Mix effects
Crane Song Phoenix II
VerifiedTape-emulation plug-in on the side-chained bass group.
Source: Sound On Sound, accessed 15 Nov 2026
FabFilter Pro-C 2
VerifiedProvides the kick side-chained compression on the bass group.
Source: Sound On Sound, accessed 15 Nov 2026
Universal Audio UAD LA2
VerifiedCompressor on the bass group that has no side-chain.
Source: Sound On Sound, accessed 15 Nov 2026
EQ on the bass group that has no side-chain; Simpson praises it.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Universal Audio Pultec Passive EQ Collection
equaliser
The current version of the plugin used on the record.
Waves L2
VerifiedOn the 808 bass sample track that takes over in the bridges.
Source: Sound On Sound, accessed 15 Nov 2026
FabFilter Pro-Q 2
VerifiedOn the 808 bass sample track that takes over in the bridges.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
FabFilter Pro-Q 4
equaliser
Current version of the plugin used on the record; Pro-Q 2 is no longer sold.
Drums and percussion
Will Champion, with programming by Stargate and Avicii
Microphone
Mono overhead microphone Simpson likes, used in his drum setup for the album sessions.
Source: Sound On Sound, accessed 15 Nov 2026
Pair used as overheads in Simpson's drum mic setup for the album sessions.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
FabFilter Pro-Q 2
VerifiedUsed as a high-pass filter on almost all the drum tracks to clear low end.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
FabFilter Pro-Q 4
equaliser
Current version of the plugin used on the record; Pro-Q 2 is no longer sold.
Universal Audio Little Labs VOG
VerifiedKick tracks are sent to it to add controlled low end through harmonic sub-synthesis.
Source: Sound On Sound, accessed 15 Nov 2026
Brainworx BX_refinement
VerifiedOn one of Will Champion's crash cymbal tracks to reduce harshness.
Source: Sound On Sound, accessed 15 Nov 2026
Kush Audio UBK1
VerifiedOn the toms for analogue-style colour.
Source: Sound On Sound, accessed 15 Nov 2026
Universal Audio UAD Maag EQ4
VerifiedOn the ride cymbal to add air.
Source: Sound On Sound, accessed 15 Nov 2026
Universal Audio UAD API 2500
VerifiedCompressor on the main drum group track.
Source: Sound On Sound, accessed 15 Nov 2026
Slate Digital Virtual Mix Rack
VerifiedOn the main drum group track.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Slate Digital Virtual Mix Rack
channel strip
The plugin used on the record.
Universal Audio UAD Fatso Jr
VerifiedOn the parallel drum group track.
Source: Sound On Sound, accessed 15 Nov 2026
Keyboards and synths
Instrument
Sequential Prophet 12
VerifiedHardware synth part played by Guy Berryman, on the track named for the end section.
Source: Sound On Sound, accessed 15 Nov 2026
Mutable Instruments Clouds
VerifiedModular harmoniser, pitch-shifter and granulator used for a small part at the end of the song.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
EastWest QL Spaces
VerifiedReverb on the Prophet 12 track.
Source: Sound On Sound, accessed 15 Nov 2026
Brass
Mix effects
Brass parts were sent through it and recorded back into Pro Tools, then chopped to sound like a sample.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Universal Audio Thermionic Culture Vulture
saturation
Made with Thermionic Culture as a model of the Culture Vulture.
Soundtoys Decapitator
VerifiedOn the brass tracks, which are edited to sound like a sample.
Source: Sound On Sound, accessed 15 Nov 2026
Mix bus and stereo bus
Rik Simpson (mix)
Mix effects
Slate Digital Virtual Mix Rack
VerifiedInsert on the main bus track that the whole session feeds.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Slate Digital Virtual Mix Rack
channel strip
The plugin used on the record.
Insert on the main bus track that the whole session feeds.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Slate Digital Virtual Tape Machines
tape
The plugin named in the source.
Kush Audio Clariphonic DSP MkI
VerifiedEQ insert on the main bus track.
Source: Sound On Sound, accessed 15 Nov 2026
Thermionic Culture Phoenix
VerifiedHardware insert fed by a pre-fader send and blended in parallel with the main bus.
Source: Sound On Sound, accessed 15 Nov 2026
Hardware insert fed by a pre-fader send and blended in parallel with the main bus.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Universal Audio Thermionic Culture Vulture
saturation
Made with Thermionic Culture as a model of the Culture Vulture.
Slate Digital FG-X
VerifiedSaturator on the pre-limiter master track, adding glue.
Source: Sound On Sound, accessed 15 Nov 2026
iZotope Ozone 5
VerifiedUsed for some compression on the pre-limiter master track.
Source: Sound On Sound, accessed 15 Nov 2026
iZotope Ozone 6
VerifiedIts EQ boosts low end and a little top end on the pre-limiter master track.
Source: Sound On Sound, accessed 15 Nov 2026
Crane Song HEDD 192
VerifiedD-A converter the mix was run through on the way to the print rig.
Source: Sound On Sound, accessed 15 Nov 2026
Vertigo Sound VSM2 Satellite
VerifiedOn the stereo mix while printing, with switchable M-S and L-R inserts adding harmonics.
Source: Sound On Sound, accessed 15 Nov 2026
On the stereo mix while printing.
Source: Sound On Sound, accessed 15 Nov 2026
GML Equaliser (model not stated)
VerifiedOn the stereo mix while printing.
Source: Sound On Sound, accessed 15 Nov 2026
Sources
- Secrets Of The Mix Engineers: Rik Simpson (Inside Track: Coldplay ‘Hymn For The Weekend’), Sound On Sound, 2016-03. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
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