Rap and hook vocals
Eminem
Microphone
Eminem's vocal microphone in the large live room at Effigy, which Strange says he has used for years; the passage describes his usual setup rather than this song alone.
A suggestion, not a documented fact: Strange describes how Eminem is normally recorded at Effigy, not this song specifically.
Source: Sound On Sound, accessed 15 Nov 2026
Input chain
Mic preamp taking the vocal microphone straight into Pro Tools in Eminem's usual vocal setup, as Strange describes it.
A suggestion, not a documented fact: Strange describes the normal vocal chain, not this song specifically.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Universal Audio Avalon VT-737 Tube Channel Strip
channel strip
Made with Avalon as a model of the VT-737sp channel strip.
Alta Moda Unicomp
ReportedOutboard compressor on the rap vocals; pushing it hard back into the SSL returns caused some of the vocal distortion heard in the rap.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
Requisite L2M
ReportedTube mastering-style compressor used on the vocals of this song; Strange says he has used it on every Eminem song he has recorded.
Source: Sound On Sound, accessed 15 Nov 2026
TC Electronic 2290
ReportedHardware delay used in place of the plug-in delay for the repeating delay on the hook vocal.
Source: Sound On Sound, accessed 15 Nov 2026
Massenburg EQ (plug-in)
ReportedEqualiser plug-in on the two rap vocal tracks.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Massenburg DesignWorks MDW Parametric EQ
equaliser
The plugin named in the source.
Digidesign Extra Long Delay
ReportedDelay plug-in on the spoken intro track.
Source: Sound On Sound, accessed 15 Nov 2026
Bass
Luis Resto
Mix effects
API 550a
ReportedEqualiser on the bass; Strange says the studio likes it a lot.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Waves API 550
equaliser
Made with API as models of the 550A and 550B equalisers.
Drums and percussion
Boi-1da (original beat); Luis Resto (added 808 kick)
Mix effects
SSL Console (model not stated)
ReportedConsole EQ and a little compression on Boi-1da's drum tracks so they sat with the rest of the track.
Source: Sound On Sound, accessed 15 Nov 2026
Close match
Solid State Logic SSL Native Channel Strip 2
channel strip
SSL's own channel-strip plugin. It is not a model of this particular desk.
Also worth a look: Waves SSL E-Channel (Models the 4000 E channel strip; the source does not make this the same desk).
Antares Auto-Tune
ReportedUsed on the 808 kick that Luis Resto added, to hold its pitch steady because the 808 drifted in pitch.
Source: Sound On Sound, accessed 15 Nov 2026
Keyboard overdubs
Luis Resto
Amplifier
Recorded direct (DI), no amplifier
ReportedResto's keyboard overdubs were recorded direct, with the engineers in the control room.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
Massenburg EQ (plug-in)
ReportedEqualiser plug-in on one of the OB8 sounds in the track.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Massenburg DesignWorks MDW Parametric EQ
equaliser
The plugin named in the source.
Gunshot effects
Mix effects
Massenburg EQ (plug-in)
ReportedEqualiser plug-ins on the three gunshot tracks added at the end, used to roll off some low end.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Massenburg DesignWorks MDW Parametric EQ
equaliser
The plugin named in the source.
Sources
- Mike Strange Jr: Eminem Recovery, Sound On Sound, 2010-10. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
Disclosure: plugin links currently go straight to the maker and earn us nothing. If that changes, affiliate links will be marked here. Suggestions are chosen on fit, never on commission, and are kept separate from the recording facts. More.