Dancing

Added to some individual vocal tracks as an effect to give the vocals a sheen, rather than purely for correction.

Source: Sound On Sound, accessed 15 Nov 2026

First plug-in on the Kylie vocal bus, high-passing and boosting two bands.

Settings

High-pass at 69Hz; boosts at 285Hz and 3100Hz

Source: Sound On Sound, accessed 15 Nov 2026

Second plug-in on the vocal bus, adding high end, some compression and a little reverb.

Source: Sound On Sound, accessed 15 Nov 2026

Third plug-in on the vocal bus, giving presence, air and sharpness; he says it only suits the Aston microphone.

Settings

De-esser and compressor both at 50 percent

Source: Sound On Sound, accessed 15 Nov 2026

Further compression on the vocal bus.

Source: Sound On Sound, accessed 15 Nov 2026

Bus compression in the vocal chain after the dbx 160.

Settings

Ratio 2, attack 1, release 3

Source: Sound On Sound, accessed 15 Nov 2026

Multiband processing on the vocal bus using the Pensado preset to add top end.

Settings

Pensado preset, adding above 8kHz

Source: Sound On Sound, accessed 15 Nov 2026

Equaliser in the vocal chain, adding more high end.

Source: Sound On Sound, accessed 15 Nov 2026

Compressor in the vocal chain, which he says helps bring the vocal to the front.

Settings

Compressor set to 4.2

Source: Sound On Sound, accessed 15 Nov 2026

Main reverb of the session, used mostly on the vocals.

Source: Sound On Sound, accessed 15 Nov 2026

Its Guitar instrument made sampled guitars placed under the real guitar, panned right, with the real guitar to the left and high-passed.

Position

Panned to the right, underneath the real guitar (which is panned left)

Source: Sound On Sound, accessed 15 Nov 2026

Adams pointed his Aston microphone at Stockwell's acoustic guitar.

Source: Sound On Sound, accessed 15 Nov 2026

In the acoustic guitar chain, mostly adding mid-range and high end.

Source: Sound On Sound, accessed 15 Nov 2026

Part of the acoustic guitar plug-in chain, named as the Waves CLA Guitar.

Source: Sound On Sound, accessed 15 Nov 2026

Part of the acoustic guitar chain; he says overdrive works on guitars as well as drums.

Source: Sound On Sound, accessed 15 Nov 2026

Put on the acoustic guitars to imitate a side-chain pumping effect and add rhythm.

Source: Sound On Sound, accessed 15 Nov 2026

Used on the drum and percussion tracks, which he says carry little else besides this and Space Designer.

Source: Sound On Sound, accessed 15 Nov 2026

Reverb on the drum and percussion tracks, alongside Channel EQ.

Source: Sound On Sound, accessed 15 Nov 2026

Source of the piano sound, with Channel EQ added on the piano track.

Source: Sound On Sound, accessed 15 Nov 2026

On the piano track, described as good for adding grit to keyboards.

Source: Sound On Sound, accessed 15 Nov 2026

Used to generate an effect track of vocal cut-ups made from Kylie's vocal tracks.

Source: Sound On Sound, accessed 15 Nov 2026

On the master bus doing a little limiting; Adams says Ozone 7, though the article text elsewhere says Ozone 8.

Source: Sound On Sound, accessed 15 Nov 2026