Lead vocal and vocal busses
Lil Tecca
Microphone
Usual practice, not stated for this record: Microphone Colmenero says Tecca uses for his vocals in his sessions, not tied to this song's tracking.
A suggestion, not a documented fact: Joseph Colmenero describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
Antares Auto-Tune Pro
VerifiedPitch correction placed on every vocal audio track in the mix, standing in for the Auto-Tune Live that came with the session.
Source: Sound On Sound, accessed 15 Nov 2026
Waves Q6
VerifiedEqualiser that opens the lead vocal bus plug-in stack.
Source: Sound On Sound, accessed 15 Nov 2026
FabFilter Pro-C 2
VerifiedCompressor second in the lead vocal bus chain.
Source: Sound On Sound, accessed 15 Nov 2026
Channel strip plug-in on the lead vocal bus, after the compressor.
Source: Sound On Sound, accessed 15 Nov 2026
Close match
Waves SSL E-Channel
channel strip
Kinelski names only the Waves SSL channel strip. Waves sells an E-Channel and a G-Channel; the source does not say which he used.
Also worth a look: Waves SSL G-Channel (The other Waves SSL channel strip. The source does not say which version was used).
Waves RVox
VerifiedUsed as a noise gate on the lead vocal bus.
Source: Sound On Sound, accessed 15 Nov 2026
Soundtoys Decapitator
VerifiedAdded vibe to the lead vocal bus.
Source: Sound On Sound, accessed 15 Nov 2026
Waves C4
VerifiedUsed to pull down some peak frequencies on the lead vocal bus.
Source: Sound On Sound, accessed 15 Nov 2026
Waves D-Verb
VerifiedExtra reverb on the Harmony Vox aux, which takes the distant ad-libs.
Source: Sound On Sound, accessed 15 Nov 2026
Waves RVerb
VerifiedReverb on the vocal reverb aux fed by sends from the vocal busses.
Source: Sound On Sound, accessed 15 Nov 2026
Waves H-Delay
VerifiedQuarter-note delay on the vocal delay aux fed from the vocal busses.
Source: Sound On Sound, accessed 15 Nov 2026
Avid EQ7
VerifiedEqualiser before the vocal reverb, taking out low and high end so the reverb does not catch sibilance.
Source: Sound On Sound, accessed 15 Nov 2026
Kick and 808 (mix)
Mix effects
Waves API 550B
VerifiedCut the sub low end of the kick to clear room for the 808.
- Settings
- Cut of 12dB at 30Hz
Source: Sound On Sound, accessed 15 Nov 2026
FabFilter Pro-Q 2
VerifiedAdded low mid-range to the kick for more chest thump.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
FabFilter Pro-Q 4
equaliser
Current version of the plugin used on the record; Pro-Q 2 is no longer sold.
Waves NLS Channel
VerifiedAnalogue-style saturation on the kick, on the Nevo setting.
- Settings
- Nevo setting
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Waves NLS Non-Linear Summer
console emulation
The plugin named in the source.
Waves API 550B
VerifiedBoosted the 808 in the upper mid-range, where he says the fuzz lives.
- Settings
- Boost at 3kHz (the passage separately describes a 12dB boost in the upper mid-range)
Source: Sound On Sound, accessed 15 Nov 2026
FabFilter Pro-Q 2
VerifiedRolled the top end off the 808 to keep fuzz without harshness.
- Settings
- Roll-off of 48dB at 6.5kHz
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
FabFilter Pro-Q 4
equaliser
Current version of the plugin used on the record; Pro-Q 2 is no longer sold.
Juno and Omnisphere parts
Instrument
Roland Juno-106
VerifiedOne of the two main melodic and chordal elements in the beat.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Roland Roland Cloud
instrument
Roland's own subscription, which includes its software Juno-106.
Also worth a look: TAL Software TAL-U-NO-LX (Models the Juno-60, the Juno-106's close predecessor); Arturia Jun-6 V (Models the Juno-6, an earlier member of the same family).
Spectrasonics Omnisphere
VerifiedThe other main melodic and chordal element, providing a pad-like bell sound.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
Waves CLA Effects
VerifiedCollection of effects on the Beat FX aux, fed from the two melodic tracks to add interest and space.
- Settings
- Set 100 percent wet with delay, phaser, long reverb, top-end shine and distortion engaged
Source: Sound On Sound, accessed 15 Nov 2026
Beat bus and master bus
Mix effects
Waves OneKnob Filter
VerifiedDJ-style filter on the Beat Bus, automated at the end of the last chorus to sweep the highs out and back in.
Source: Sound On Sound, accessed 15 Nov 2026
Waves API 2500
VerifiedCompressor on the Beat Bus evening out bumps and adding clipping and level.
- Settings
- Ratio 1.5
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Waves API 2500
compressor
The plugin named in the source.
Waves S1 Stereo Imager
VerifiedWidened the beat on the Beat Bus.
- Settings
- Set to 30 percent
Source: Sound On Sound, accessed 15 Nov 2026
Waves Greg Wells MixCentric
VerifiedMix bus plug-in chosen for a poppier, softly brightened sound, kept out of compression because of the 808.
Source: Sound On Sound, accessed 15 Nov 2026
Waves NLS Channel
VerifiedMaster bus plug-in adding analogue grit to the whole track.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Waves NLS Non-Linear Summer
console emulation
The plugin named in the source.
Sources
- Inside Track: Lil Tecca 'Ransom', Sound On Sound, 2019-11. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
Disclosure: plugin links currently go straight to the maker and earn us nothing. If that changes, affiliate links will be marked here. Suggestions are chosen on fit, never on commission, and are kept separate from the recording facts. More.