Lead vocal
Peter Garrett
Microphone
Neumann TLM 170
ReportedMicrophone the team settled on for Garrett's lead vocals after trying several.
Source: Mix, accessed 15 Nov 2026
Input chain
Teletronix LA-2A
ReportedUnit the TLM 170 vocal microphone was fed into for Garrett's lead vocals.
Source: Mix, accessed 15 Nov 2026
Emulation of this unit
Universal Audio Teletronix LA-2A Leveler Collection
compressor
Universal Audio owns the Teletronix name; this is its own model of the LA-2A.
Also worth a look: Waves CLA-2A Compressor / Limiter (Models an LA-2A from Chris Lord-Alge's collection. Cheaper and runs without UA hardware).
Guitar amps
Martin Rotsey and Jim Moginie
Amplifier
Album sessions, not stated for this song: Gray thinks the guitarists' amps were Vox and Fender, and recalls at least one AC30 being in the studio.
Source: Mix, accessed 15 Nov 2026
Emulation of this unit
Native Instruments Guitar Rig 7 Pro
amp and cabinet simulator
Its AC Box amp is modelled on the Vox AC30.
Also worth a look: IK Multimedia AmpliTube 5 (Includes an AC30-style amp model).
Microphone
Album sessions, not stated for this song: Gray's usual close pairing for the guitar amps on the sessions, set beside a 57 so the capsules were phase-aligned.
- Position
- right next to the SM57, capsules phase-aligned
Source: Mix, accessed 15 Nov 2026
Album sessions, not stated for this song: Placed about three feet back from the guitar amp in Gray's setup.
- Position
- about three feet back from the amp
Source: Mix, accessed 15 Nov 2026
Drum kit
Rob Hirst
Mix effects
AMS DMX 1580
VerifiedStereo sampler delay Gray recalls using on the sessions, in the period practice of sampling drum sounds and triggering them back into the mix.
Source: Mix, accessed 15 Nov 2026
Emulation of this unit
Universal Audio AMS DMX Digital Delay & Pitch Shifter
delay
A model of the AMS DMX 15-80 S itself, covering its two delay channels and its pitch shifting.
Intro clock, tape and mix
Input chain
Akai S900
VerifiedSampler the ticking-clock sound was recorded into so it could be looped and fitted to the track's tempo.
Source: Mix, accessed 15 Nov 2026
Approximate
TAL Software TAL-Sampler
instrument
A sampler plugin with vintage-style converters. It is not a model of this unit, and you load your own samples.
Sony 3324
ReportedThe sessions were tracked to two of these digital multitrack machines.
Source: Mix, accessed 15 Nov 2026
Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look: Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape).
Mix effects
Album sessions, not stated for this song: Console on which Diesel and Dust was mixed at Alberts.
Source: Mix, accessed 15 Nov 2026
Emulation of this unit
Waves SSL E-Channel
channel strip
Made with SSL as a model of the 4000 E channel strip.
Also worth a look: Solid State Logic SSL Native Channel Strip 2 (SSL's own channel-strip plugin, based on a later desk).
Sampler/digital delay Gray says produced all the delays heard across the album, often returned through an EQ channel and filtered.
Source: Mix, accessed 15 Nov 2026
Covers this kind of unit
Soundtoys PrimalTap
delay
An early digital delay like the original, with the same trade of bandwidth for longer delay time and a hold function for captured sound; it is not a model of this unit.
Album sessions, not stated for this song: Gray thinks the BD-80 delay was probably fed into a chorus in an SPX90.
Source: Mix, accessed 15 Nov 2026
Close match
Neyrinck V-90 Symphonic
modulation
Models the SPX90's own Symphonic chorus programme, so it gives that unit's wide chorus sound; it covers only that one programme, not the whole unit.
Sources
- Classic Tracks: “Beds Are Burning,” Midnight Oil, Mix, 2024-09-13. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
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