Guide vocal (backing track)
Freddie Mercury
Microphone
Guide vocal microphone for Mercury at the piano, used for only the first words of each line as a cue for the band.
Source: Sound On Sound, accessed 15 Nov 2026
Lead and overdub guitar
Brian May
Amplifier
Album sessions, not stated for this song: Baker says May generally used AC30s, which were backless, so microphones were also placed behind them near the wall for ambience.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Native Instruments Guitar Rig 7 Pro
amp and cabinet simulator
Its AC Box amp is modelled on the Vox AC30.
Also worth a look: IK Multimedia AmpliTube 5 (Includes an AC30-style amp model).
Bass
John Deacon
Amplifier
Recorded direct (DI), no amplifier
VerifiedDeacon's bass was taken through a DI box.
Source: Sound On Sound, accessed 15 Nov 2026
Deacon's bass amplifier stack, placed against the wall to the right as seen from the control room window.
- Position
- Against the wall, on the right-hand side as you looked out of the control room window
Source: Sound On Sound, accessed 15 Nov 2026
Covers this kind of unit
IK Multimedia AmpliTube 5
amp and cabinet simulator
An amp and cabinet simulator that covers a wide range of amplifiers and speaker cabinets of this kind. It is not a model of this unit, so pick the nearest one in it by ear.
Also worth a look: Native Instruments Guitar Rig 7 Pro (An amp and cabinet simulator that covers a wide range of amplifiers and speaker cabinets of this kind. It is not a model of this unit, so pick the nearest one in it by ear).
Microphone
Electro-Voice 666
VerifiedMicrophone on Deacon's bass cabinet, alongside a DI.
Source: Sound On Sound, accessed 15 Nov 2026
Neumann U 67
VerifiedSometimes used on Deacon's bass cabinet to pick up a little air.
Source: Sound On Sound, accessed 15 Nov 2026
Drum kit
Roger Taylor
Microphone
Baker says the toms and overhead were generally miked with Neumann U67s or U87s, and that studios usually had one or the other; he does not say which was used here. (recalled with uncertainty)
A suggestion, not a documented fact: Roy Thomas Baker describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Piano
Freddie Mercury
Microphone
Neumann U 67
VerifiedMercury's piano was miked with a pair of these.
Source: Sound On Sound, accessed 15 Nov 2026
Tape machines and consoles
Input chain
Used for the start of the recording at Rockfield.
Source: Sound On Sound, accessed 15 Nov 2026
Close match
Universal Audio Studer A800 Tape Recorder
tape
Models a Studer 24-track. The source does not give the model used.
Also worth a look: Slate Digital Virtual Tape Machines (Includes a model of a two-inch Studer multitrack).
Used for vocal overdubs at Scorpion, then discarded because its track widths made it incompatible with other machines.
Source: Sound On Sound, accessed 15 Nov 2026
Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look: Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape).
Neve Console (model not stated)
VerifiedBaker recalls an old blue Neve with big knobs as one of the consoles used at Wessex.
Source: Sound On Sound, accessed 15 Nov 2026
Approximate
Waves NLS Non-Linear Summer
console emulation
Adds the summing character of three desks, one of them a Neve. The source does not name the console model, so this is only a family resemblance.
Mix effects
Console used for the mix at SARM (East).
Source: Sound On Sound, accessed 15 Nov 2026
Covers this kind of unit
Softube Trident A-Range
equaliser
Models the EQ of Trident's A-Range, the desk that came before the B-Range. It shares the maker and period; it is not a model of the B-Range.
Also worth a look: Universal Audio Trident A-Range Classic Console EQ (Models the EQ of Trident's A-Range, the desk that came before the B-Range. It shares the maker and period; it is not a model of the B-Range).
Tape machine used at SARM for the mix, nicknamed for its unreliability.
Source: Sound On Sound, accessed 15 Nov 2026
Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look: Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape).
Automation installed days before the mix; its old VCA technology caused distortion at the end of the opera section, and the final rock section was mixed by hand with it switched off.
Source: Sound On Sound, accessed 15 Nov 2026
Sources
- Roy Thomas Baker & Gary Langan: The Making Of Queen's 'Bohemian Rhapsody', Sound On Sound, 1995-10. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
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