How It Was Recorded

Soft Cell · Non-Stop Erotic Cabaret, 1981

Tainted Love

What the sources do and do not say

The Sound On Sound Classic Tracks piece and the Mix piece are both interviews with producer Mike Thorne about this single, recorded at Advision with engineer Paul Hardiman. The 2002 Sound On Sound feature is mainly about a later album; only Dave Ball's remark about the Synclavier ribbon controller is used. The Mediasound remix and later album sessions are not used as rows, and the album year is not stated in the articles.

Lead vocal

Marc Almond

Microphone

Neumann U 87

Verified

Microphone on Marc Almond's vocal when the song was recorded.

Source: Sound On Sound, accessed 15 Nov 2026

No plugin suggested. Microphone-modelling plugins only work with their own matched hardware microphone, so there is no plugin to link. Placement and the room matter more than the model.

Input chain

Plate reverb used alongside the U87 when recording Almond's vocal; the model is not given.

Source: Sound On Sound, accessed 15 Nov 2026

Close match

Universal Audio EMT 140 Classic Plate Reverberator

reverb

The 140 is the EMT plate most studios have; the source does not name the model.

Also worth a look: Waves Abbey Road Reverb Plates (Models the EMT 140 plates at Abbey Road).

Compressor on the vocal as it was recorded; it was pinned during the run-through take that became the final vocal, and Thorne chose to leave it.

Source: Sound On Sound, accessed 15 Nov 2026

No plugin suggested. The source does not name the model, so no specific plugin can be suggested.

Drum machine and percussion sounds

Dave Ball

Instrument

Borrowed from singer Kit Hain because the band's own machine was broken; it supplied the drum sounds, with kick and snare on separate tracks.

Source: Sound On Sound, accessed 15 Nov 2026

Covers this kind of unit

Roland Roland Cloud

instrument

Roland's own plugin versions of its TR drum machines, including the TR-808 and TR-909. The source does not name the model, so this stands for the maker's family of units: it is not a model of the one on the record.

Used by Thorne to make the snare-like noise that became the repeated "bink bink" sound.

Source: Mix, accessed 15 Nov 2026

Covers this kind of unit

u-he Diva

instrument

A general analogue-style synthesiser that can make the same oscillator, noise and filter-sweep drum sounds. It is not a model of the Synare, and the source does not say which Synare was used.

Input chain

Used by the engineer to split the one-output drum machine into a kick track and a snare track, so each could be balanced separately.

Source: Sound On Sound, accessed 15 Nov 2026

No plugin suggested. The source does not name the model, so no specific plugin can be suggested.

Delay line the snare-like noise was fed through, with feedback to build the metallic ringing that became the "bink bink" hook.

Settings
Fast delay time with feedback turned fully up; the delay time was swept.

Source: Mix, accessed 15 Nov 2026

Covers this kind of unit

Soundtoys PrimalTap

delay

An early digital delay like the original, with the same grainy, band-limited repeats; it is not a model of this unit.

Synclavier and ribbon controller

Mike Thorne and Dave Ball

Instrument

Thorne generated the overall piano sound, the orchestral swells and the long horn sound before the transition into the Supremes medley on it.

Source: Sound On Sound, accessed 15 Nov 2026

Emulation of this unit

Arturia Synclavier V

instrument

An emulation of the Synclavier, made with one of its original developers.

Dave Ball pulled the descending sound into "Where Did Our Love Go" using his thumb on this controller.

Source: Sound On Sound, accessed 15 Nov 2026

No plugin suggested. The source does not name the model, so no specific plugin can be suggested.

Advision control room

Input chain

Console that the producer and engineer sat behind in Advision Studio Two when the song was recorded.

Source: Sound On Sound, accessed 15 Nov 2026

Close match

MixWave Quad Eight MM-310

preamp and EQ

Models Quad Eight's MM-310 preamp and three-band EQ module, made with Quad Eight; the source does not say this desk carried that module.

Multitrack machine housed in the Advision control room where the song was recorded.

Source: Sound On Sound, accessed 15 Nov 2026

Approximate

Slate Digital Virtual Tape Machines

tape

Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.

Also worth a look: Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape).

Sources

  1. Classic Tracks: Soft Cell 'Tainted Love', Sound On Sound, 2012-04. Accessed 15 Nov 2026.
  2. Classic Tracks: Soft Cell’s “Tainted Love”, Mix, 2019-11. Accessed 15 Nov 2026.
  3. Recording Cruelty Without Beauty (Soft Cell: Dave Ball & Ingo Vauk), Sound On Sound, 2002-12. Accessed 15 Nov 2026.
Verified

Stated by the engineer, producer or artist, or by the manufacturer.

Reported

Stated by a reputable secondary source.

Inferred

An educated suggestion, not a documented fact.

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