Lead vocal
Taylor Swift
Microphone
Album sessions, not stated for this song: Low's choice of vocal microphone when he recorded Swift at Long Pond for evermore.
Source: Sound On Sound, accessed 15 Nov 2026
Input chain
Album sessions, not stated for this song: Vocal microphone signal went straight into this desk when Low recorded Swift.
Source: Sound On Sound, accessed 15 Nov 2026
Album sessions, not stated for this song: Tube compressor the vocal passed through after the desk while tracking Swift.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Kush Audio AR-1
compressor
A plugin model of the Lisson Grove AR-1 itself.
Also worth a look: Waves Abbey Road RS124 Compressor (Models the EMI RS124, the Abbey Road compressor the AR-1 is based on).
Album sessions, not stated for this song: Converter that took the vocal into Pro Tools when Swift was recorded.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
Added to the lead vocal on 'willow' for a little air at the top and a small cut in the low end.
- Settings
- Small cut at 30Hz, boost at 8kHz
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Universal Audio Pultec Passive EQ Collection
equaliser
The current version of the plugin used on the record.
Oeksound Soothe
VerifiedLightly applied on the lead vocal to control harsh resonances in the high mids and a little in the lower mids.
Source: Sound On Sound, accessed 15 Nov 2026
FabFilter Pro-Q 3
VerifiedSubtractive EQ on the lead vocal, making notches at several frequencies.
- Settings
- Notches at 200Hz, 1kHz, 4kHz and close to 10kHz
Source: Sound On Sound, accessed 15 Nov 2026
Close match
FabFilter Pro-Q 4
equaliser
Pro-Q 4 is the current version of the same equaliser.
FabFilter Pro-DS
VerifiedDe-esser on the lead vocal taking off a couple of decibels.
- Settings
- Takes off a couple of decibels
Source: Sound On Sound, accessed 15 Nov 2026
FabFilter Saturn 2
VerifiedSaturation on the lead vocal using a warm tape setting.
- Settings
- Warm tape setting
Source: Sound On Sound, accessed 15 Nov 2026
Vocal chamber aux giving density and size without a long tail, and setting where the vocal sits.
Source: Sound On Sound, accessed 15 Nov 2026
EMT 140 (UAD plug-in)
VerifiedPlate aux on the vocal for the longer tail and depth behind the chamber.
Source: Sound On Sound, accessed 15 Nov 2026
'Rubber bridge' guitars
Microphone
Neumann U47 (variant not stated)
VerifiedLow says the rubber-bridge guitars sound best recorded on this mic together with a DI.
Source: Sound On Sound, accessed 15 Nov 2026
Input chain
SPL Transient Designer
VerifiedOn many of the DI guitar tracks, used to reduce sustain and keep the low end punchy.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
FabFilter Pro-Q 3
VerifiedOn the rubber-bridge guitars, cuts some midrange and some air around 10kHz to control splashy highs and boominess.
- Settings
- Cuts some midrange and some air around 10kHz
Source: Sound On Sound, accessed 15 Nov 2026
Close match
FabFilter Pro-Q 4
equaliser
Pro-Q 4 is the current version of the same equaliser.
Soundtoys Tremolator
VerifiedQuarter-note tremolo on the rubber-bridge guitars to make the accents more apparent.
- Settings
- Quarter-note tremolo
Source: Sound On Sound, accessed 15 Nov 2026
Massey CT5
VerifiedCompressor on the guitars side-chained to the kick drum to duck them on less important beats.
Source: Sound On Sound, accessed 15 Nov 2026
Used to make the rubber-bridge guitars wider.
Source: Sound On Sound, accessed 15 Nov 2026
Soundtoys Echoboy
VerifiedDelay on the rubber-bridge guitars, automated so it only comes on in the bridge for more ambience.
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Soundtoys EchoBoy
delay
The plugin named in the source.
Drums and rhythm
Instrument
Teenage Engineering OP-1
VerifiedMost of the drum parts on 'willow' were played on it by Aaron Dessner rather than programmed.
Source: Sound On Sound, accessed 15 Nov 2026
Roland TR-8S
VerifiedBryan Devendorf programmed some of the beats on it.
Source: Sound On Sound, accessed 15 Nov 2026
Close match
Roland Roland Cloud
instrument
Roland's own subscription, with software versions of the TR-808, 909 and other machines that the TR-8S models.
Amplifier
Fender Rumble
VerifiedLow ran the TR-8S beats through this bass amp to add woofiness, like an acoustic kit room mic.
Source: Sound On Sound, accessed 15 Nov 2026
Covers this kind of unit
IK Multimedia AmpliTube 5
amp and cabinet simulator
An amp and cabinet simulator that covers a wide range of amplifiers and speaker cabinets of this kind. It is not a model of this unit, so pick the nearest one in it by ear.
Also worth a look: Native Instruments Guitar Rig 7 Pro (An amp and cabinet simulator that covers a wide range of amplifiers and speaker cabinets of this kind. It is not a model of this unit, so pick the nearest one in it by ear).
Mix effects
Hardware insert on the grouped drums and bass for saturation, building intensity toward the end.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Universal Audio Thermionic Culture Vulture
saturation
Made with Thermionic Culture as a model of the Culture Vulture.
Two-bus (mix)
Mix effects
EQ on the two-bus aux that mimics Low's console two-bus approach.
Source: Sound On Sound, accessed 15 Nov 2026
Universal Audio UAD API 2500
VerifiedCompressor on the two-bus aux.
Source: Sound On Sound, accessed 15 Nov 2026
Tape emulation on the two-bus aux, set to 15ips with half-inch GP9 tape for this song.
- Settings
- 15ips, half-inch GP9
Source: Sound On Sound, accessed 15 Nov 2026
The plugin used on the record
Universal Audio Ampex ATR-102 Mastering Tape Recorder
tape
The plugin used on the record.
Sources
- Inside Track: Taylor Swift 'willow', Sound On Sound, 2021-03. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
Disclosure: plugin links currently go straight to the maker and earn us nothing. If that changes, affiliate links will be marked here. Suggestions are chosen on fit, never on commission, and are kept separate from the recording facts. More.