The Lumineers · The Lumineers, 2012
Ho Hey
7 sourced items across 2 sectionsVerified6Reported1
What the sources do and do not say
Sound On Sound Inside Track with mixer Kevin Augunas, who mixed the song in 2011 from an existing Pro Tools session recorded by Ryan Hadlock. It covers the mix and the Fairfax overdubs, not the original tracking, so no original microphones or amps are listed.
Lead and background vocals
4 items
Wesley Schultz
Amplifier
The real chain
Altec A7 speaker
Verified
Played the track back in the live room instead of headphones, so the band moved about while singing and clapping and the song bled into the mic.
Source: Sound On Sound, accessed 15 Nov 2026
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No plugin suggested. Used for listening back, so it is not part of the recorded signal. There is nothing for a plugin to stand in for.
Microphone
The real chain
Neumann M49
Verified
Mic in the Fairfax live room for the overdubbed "ho hey" parts, stomps, claps, banter and background vocals, tripled across left, centre and right.
Source: Sound On Sound, accessed 15 Nov 2026
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No plugin suggested. Microphone-modelling plugins only work with their own matched hardware microphone, so there is no plugin to link. Placement and the room matter more than the model.
Mix effects
The real chain
Fairchild Compressor/limiter (model not stated)
Verified
One of two pieces of outboard on the lead vocal, where he wanted the vocal to punch out and sound bigger and brighter.
Source: Sound On Sound, accessed 15 Nov 2026
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Emulation of this unit
Universal Audio Fairchild Tube Limiter Collection
compressor
Models the Fairchild 660 and 670. The source does not say which model was used.
Also worth a look 1
- Waves PuigChild 660 & 670 (Models the Fairchild 660 and 670 owned by Jack Joseph Puig)
The real chain
Pultec EQP-1A3
Verified
One of two pieces of outboard on the lead vocal, where he wanted the vocal to punch out and sound bigger and brighter.
Source: Sound On Sound, accessed 15 Nov 2026
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Emulation of this unit
Universal Audio Pultec Passive EQ Collection
equaliser
Models the Pultec EQP-1A, MEQ-5 and HLF-3C.
Also worth a look 1
- Waves PuigTec EQs (EQP-1A and MEQ-5) (Models Jack Joseph Puig's Pultec EQP-1A and MEQ-5)
Mix chain
3 items
Mix effects
The real chain
Studer B67
Verified
Quarter-inch two-track used as a slapback tape delay.
- Position
- Fed from the pre-fade send on the monitoring board
Source: Sound On Sound, accessed 15 Nov 2026
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Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look 1
- Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape)
The real chain
Unidentified Echo chamber (model not stated)
Verified
Studio echo chamber supplying the reverb; he says all the echo on the album came from it.
- Position
- Fed from the post-fade send on the monitoring board
Source: Sound On Sound, accessed 15 Nov 2026
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Covers this kind of unit
Universal Audio Capitol Chambers
reverb
A real echo chamber, the same method as the one on the record: a loudspeaker and microphones in a hard, empty room. It is not a model of this chamber, so set the decay by ear.
The real chain
Universal Audio EQ (model not stated)
Reported
Old equalisers on the stereo mix, adding a little top end and perhaps some low end. (recalled with uncertainty)
- Settings
- A little added at 10 kHz and perhaps a bit of low end around 100 Hz
Source: Sound On Sound, accessed 15 Nov 2026
Get the sound · our suggestion
No plugin suggested. The source does not name the model, so no specific plugin can be suggested.
Sources
- Inside Track: The Lumineers, Sound On Sound, 2013-03. Accessed 15 Nov 2026.
What the ratings mean
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
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