The Ronettes · Album, 1963
Presenting the Fabulous Ronettes
9 sourced items across 6 sectionsReported1Inferred8
This is an album-level record: the sources describe how the album as a whole was recorded, not one song. Where a detail belongs to a single song, the row says so.
Songs this record stands for: Baby, I Love You, Be My Baby. We found nothing specific to these songs, so this album record is the closest account we have.
What the sources do and do not say
Sound On Sound Classic Tracks, with Larry Levine interviewed. Only the lead vocal U47 is tied to this song; the rest describes Levine's usual Gold Star methods for Spector sessions, so it is marked general-practice. Levine says the drummers and other players varied from session to session.
Lead vocal
1 item
Ronnie Bennett
Microphone
The real chain
Neumann U 47
ReportedOne song
Microphone Ronnie Bennett sang the lead vocal into, standing behind a music stand, at the Gold Star sessions for this song.
Source: Sound On Sound, accessed 15 Nov 2026
Get the sound · our suggestion
No plugin suggested. Microphone-modelling plugins only work with their own matched hardware microphone, so there is no plugin to link. Placement and the room matter more than the model.
Acoustic guitars
1 item
Microphone
The real chain
Electro-Voice RE15
InferredUsual practice
Usual practice, not stated for this record: Microphones mostly used on the acoustic guitars in the middle of the room. (recalled with uncertainty)
A suggestion, not a documented fact: Richard Buskin describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Get the sound · our suggestion
No plugin suggested. Microphone-modelling plugins only work with their own matched hardware microphone, so there is no plugin to link. Placement and the room matter more than the model.
Bass guitars
1 item
Microphone
The real chain
Shure SM57
InferredUsual practice
Close microphones on the bass guitar amplifiers, often used in the usual Spector session layout. (recalled with uncertainty)
- Position
- Close-miked on each amp
A suggestion, not a documented fact: Richard Buskin describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Get the sound · our suggestion
No plugin suggested. Microphone-modelling plugins only work with their own matched hardware microphone, so there is no plugin to link. Placement and the room matter more than the model. The SM57 is still made and inexpensive: the real thing is the practical route.
Drum kit
2 items
Hal Blaine
Microphone
The real chain
Neumann U 67
InferredUsual practice
Usual practice, not stated for this record: Overhead microphones on the drums, used sparingly to get just enough presence given the leakage in the small room.
A suggestion, not a documented fact: Larry Levine describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Get the sound · our suggestion
No plugin suggested. Microphone-modelling plugins only work with their own matched hardware microphone, so there is no plugin to link. Placement and the room matter more than the model.
The real chain
RCA 77-DX
InferredUsual practice
Usual practice, not stated for this record: Kick drum microphones, used sparingly to get just enough presence.
A suggestion, not a documented fact: Larry Levine describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Get the sound · our suggestion
No plugin suggested. Microphone-modelling plugins only work with their own matched hardware microphone, so there is no plugin to link. Placement and the room matter more than the model.
Pianos and electric piano
1 item
Microphone
The real chain
Electro-Voice RE15
InferredUsual practice
Usual microphones on the grand piano, upright piano and electric piano.
A suggestion, not a documented fact: Richard Buskin describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Get the sound · our suggestion
No plugin suggested. Microphone-modelling plugins only work with their own matched hardware microphone, so there is no plugin to link. Placement and the room matter more than the model.
Horns, tape and console
3 items
Microphone
The real chain
RCA 44
InferredUsual practice
Usual practice, not stated for this record: Microphones on the two trumpets and two trombones of the horn section.
A suggestion, not a documented fact: Richard Buskin describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Get the sound · our suggestion
No plugin suggested. Microphone-modelling plugins only work with their own matched hardware microphone, so there is no plugin to link. Placement and the room matter more than the model.
Input chain
The real chain
Ampex 350 three-track tape recorder
InferredUsual practice
Usual practice, not stated for this record: Three-track machine that the live mono backing track was recorded onto.
A suggestion, not a documented fact: Richard Buskin describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Get the sound · our suggestion
Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look 1
- Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape)
The real chain
United Western Recorders Custom 12-input console
InferredUsual practice
Usual practice, not stated for this record: Custom console built by Bill Putnam with 12 inputs, used to record the backing tracks at Gold Star.
A suggestion, not a documented fact: Larry Levine describes this as usual practice; it is not stated for this record.
Source: Sound On Sound, accessed 15 Nov 2026
Get the sound · our suggestion
No plugin suggested. A one-off or custom-built desk. No plugin models it.
Sources
- Classic Tracks: The Ronettes 'Be My Baby', Sound On Sound, 2007-04. Accessed 15 Nov 2026.
What the ratings mean
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
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