Artist
The Ronettes
Records
Usual practice
What the people behind these records say they generally do. None of it is stated for a particular record, so every item is rated inferred.
Neumann U 67Drum kitInferred
Usual practice, not stated for this record: Overhead microphones on the drums, used sparingly to get just enough presence given the leakage in the small room.
From the record for Presenting the Fabulous Ronettes, where the source is linked.
RCA 77-DXDrum kitInferred
Usual practice, not stated for this record: Kick drum microphones, used sparingly to get just enough presence.
From the record for Presenting the Fabulous Ronettes, where the source is linked.
Shure SM57Bass guitarsInferred
Close microphones on the bass guitar amplifiers, often used in the usual Spector session layout. (recalled with uncertainty)
From the record for Presenting the Fabulous Ronettes, where the source is linked.
Electro-Voice RE15Pianos and electric pianoInferred
Usual microphones on the grand piano, upright piano and electric piano.
From the record for Presenting the Fabulous Ronettes, where the source is linked.
Electro-Voice RE15Acoustic guitarsInferred
Usual practice, not stated for this record: Microphones mostly used on the acoustic guitars in the middle of the room. (recalled with uncertainty)
From the record for Presenting the Fabulous Ronettes, where the source is linked.
RCA 44Horns, tape and consoleInferred
Usual practice, not stated for this record: Microphones on the two trumpets and two trombones of the horn section.
From the record for Presenting the Fabulous Ronettes, where the source is linked.
Ampex 350 three-track tape recorderHorns, tape and consoleInferred
Usual practice, not stated for this record: Three-track machine that the live mono backing track was recorded onto.
From the record for Presenting the Fabulous Ronettes, where the source is linked.
United Western Recorders Custom 12-input consoleHorns, tape and consoleInferred
Usual practice, not stated for this record: Custom console built by Bill Putnam with 12 inputs, used to record the backing tracks at Gold Star.
From the record for Presenting the Fabulous Ronettes, where the source is linked.
Gear on these records