How It Was Recorded

Gear · console

Dangerous Music 2-Bus

Records it appears on · 5

  • bad guy

    Billie Eilish · When We All Fall Asleep, Where Do We Go?, 2019

    • Production DAW, summing and stereo mix chain · Mix effectsVerifiedAnalogue summing of the group busses (drums, bass, synths, lead vocals, backing vocals, Width aux)Settings: Kinelski's usual practice: he tends to drive each input pair with the +6dB boost and back the output off about 4dB
  • When We All Fall Asleep, Where Do We Go?

    Billie Eilish · Album, 2019

    • Mix bus and summing · Mix effectsInferredUsual practice, not stated for this record: Analogue summing stage that all of his mixes are routed through before the compressor.
  • The Midsummer Station Kiss

    Owl City and Carly Rae Jepsen · Album, 2012

    • Mix bus · Mix effectsInferredUsual practice, not stated for this record: Summing unit Young says he uses when mixing.
  • Mine

    Taylor Swift · Speak Now, 2010

    • Mix bus and mastering chain · Mix effectsVerifiedAnalogue summing unit used for the album's mixes because Chapman and Niebank wanted analogue summing.
  • Speak Now

    Taylor Swift · Album, 2010

    • Mix bus and two-mix · Mix effectsVerifiedAnalogue summing box used on the album mixes, because the team wanted analogue summing.

Sources for each use are on the record’s own page.

Get the sound

No plugin suggested. An analogue summing mixer designed to be transparent. Mixing inside the DAW is the equivalent; no plugin is needed.

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