How It Was Recorded

Gear · reverb

EMT 140

Records it appears on · 16

  • Year of the Cat

    Al Stewart · Album, 1976

    • Studio, tape and mix · Mix effectsReportedPlate reverb used at the final mix at Davlen, fed through a tape delay as pre-delay.
  • Insane in the Brain

    Cypress Hill · Black Sunday, 1993

    • Mix · Mix effectsReportedOne of two reverbs named for the sparing touches of reverb on the mix; the other was a Yamaha REV-7, and the article does not say which was used where. (recalled with uncertainty)
  • Get Lucky

    Daft Punk · Random Access Memories, 2013

    • Lead vocal · Mix effectsVerifiedPlate reverb on vocals (real plate at Conway)
    • Mix bus and mixdown (album-wide) · Mix effectsVerifiedMain reverb across the mix (real plates)
  • Eddie Money

    Eddie Money · Album, 1977

    • Studio chain and mix · Mix effectsReportedPlate reverb, named as one of the two main reverbs in the light post-processing of the mix.
  • Burning Love

    Elvis Presley · Elvis: Burning Love and Hits From His Movies, Volume 2, 1972

    • Lead vocal · Mix effectsReportedIf the tracks were mixed in Hollywood, the engineer thinks he would have tried plate four on Presley's voice, from the studio's 18 EMT 140 plates.
  • Rise

    Herb Alpert · Rise, 1979

    • Overall recording and mix · Mix effectsReportedHahn thinks an EMT 140 reverb was probably used at the mix; the part is not stated.
  • Power Trip

    J. Cole · Born Sinner, 2013

    • Guest vocal (Miguel) · Mix effectsVerifiedMiguel's vocals, plus the filtered drum parts where his vocals enter, were sent through this plate reverb during the Los Angeles mixing.
  • Praying

    Kesha · Rainbow, 2017

    • Lead vocal (mix) · Mix effectsVerifiedAdded as a reverb on the vocals, together with the EMT 250.
  • Beggin'

    Måneskin · Chosen, 2017

    • Drums · Mix effectsVerifiedPlate reverb on the Drums Ambient aux, with short decay and some predelay.
  • The Sweetest Taboo

    Sade · Promise, 1985

    • Lead vocal · Mix effectsReportedDelayed plate echo applied to the lead vocal.
  • Stay with Me

    Sam Smith · In the Lonely Hour, 2014

    • Lead and backing vocals · Mix effectsVerifiedPlate reverb on both lead vocal tracks of the demo mix.
  • Talking Book

    Stevie Wonder · Album, 1972

    • Delay and echo · Mix effectsVerifiedTwo plate reverbs used alongside the tape delay returns when mixing in Quad.
  • I Should Coco

    Supergrass · Album, 1995

    • Studio and mix · Mix effectsReportedPlate reverb that the engineer set up as an effects send on the Trident for the mix of the first six tracks.
  • Cosmic Thing

    The B-52's · Album, 1989

    • Recording and mix chain · Mix effectsReportedDurack says there may have been a little EMT 140 elsewhere in the mix.
  • Just the Girl

    The Click Five · Greetings from Imrie House, 2005

    • Lead vocal · Mix effectsReportedListed in the credits as a stereo plate reverb among the vocal processing.
  • Back on the Chain Gang

    The Pretenders · Learning to Crawl, 1984

    • Effects · Mix effectsVerifiedAlbum sessions, not stated for this song: Churchyard recalls an EMT 140 echo with tape delay among the few effects available in the sessions.

Sources for each use are on the record’s own page.

Get the sound

First choice · Emulation of this unit

Universal Audio EMT 140 Classic Plate Reverberator

reverb

Models three EMT 140 plates, made with EMT.

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Alternative · Emulation of this unit

Soundtoys Little Plate

reverb

A simpler EMT 140 model with one decay control.

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