Lead vocal
Sade Adu
Microphone
Neumann U 87
ReportedMicrophone for Sade's overdubbed lead vocal, recorded behind a screen in the control room.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
EMT 140
ReportedDelayed plate echo applied to the lead vocal.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Universal Audio EMT 140 Classic Plate Reverberator
reverb
Models three EMT 140 plates, made with EMT.
Also worth a look: Soundtoys Little Plate (A simpler EMT 140 model with one decay control).
Close match
Universal Audio dbx 160 Compressor / Limiter
compressor
Models the original dbx 160. The 160X and 160XT are later versions of it.
Also worth a look: Waves dbx 160 Compressor / Limiter (Models the original dbx 160. The 160X and 160XT are later versions of it).
AMS RMX16
ReportedReverb added to the vocal for the middle section only.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Universal Audio AMS RMX16 Expanded Digital Reverb
reverb
A model of the AMS RMX16 itself, built from the original algorithms with the extra programmes that could be loaded into the hardware.
Guitar
Stuart Matthewman
Amplifier
Album sessions, not stated for this song: Guitar amplifier for Matthewman's Hofner acoustic or Fender Squire, close-miked.
Source: Sound On Sound, accessed 15 Nov 2026
Covers this kind of unit
IK Multimedia AmpliTube 5
amp and cabinet simulator
An amp and cabinet simulator that covers a wide range of amplifiers and speaker cabinets of this kind. It is not a model of this unit, so pick the nearest one in it by ear.
Also worth a look: Native Instruments Guitar Rig 7 Pro (An amp and cabinet simulator that covers a wide range of amplifiers and speaker cabinets of this kind. It is not a model of this unit, so pick the nearest one in it by ear).
Microphone
Album sessions, not stated for this song: Close microphone on the Roland combo amplifier.
- Position
- close-miked
Source: Sound On Sound, accessed 15 Nov 2026
Bass
Paul Denman
Amplifier
Recorded direct (DI), no amplifier
VerifiedBass was taken direct rather than through the miked amp on this song.
Source: Sound On Sound, accessed 15 Nov 2026
Drums
Dave Early
Instrument
Yamaha RX11
ReportedUsed by Martin Ditcham to make the drum loop from which the song started.
Source: Sound On Sound, accessed 15 Nov 2026
Covers this kind of unit
Aly James Lab VProm
drum instrument
A model of early-1980s drum machines that also play short drum samples from memory chips; it is not a model of this unit and has different sounds.
Microphone
Album sessions, not stated for this song: Kick drum microphone in the live drum setup for the Promise sessions.
Source: Sound On Sound, accessed 15 Nov 2026
Album sessions, not stated for this song: One of two snare microphones in the live drum setup for the Promise sessions.
Source: Sound On Sound, accessed 15 Nov 2026
Album sessions, not stated for this song: The second of two snare microphones in the live drum setup for the Promise sessions.
Source: Sound On Sound, accessed 15 Nov 2026
Album sessions, not stated for this song: Overhead microphone in the live drum setup for the Promise sessions.
Source: Sound On Sound, accessed 15 Nov 2026
Keys and percussion
Instrument
Andrew Hale used it more on Promise than on the first album, because it offered more.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Arturia DX7 V
instrument
An emulation of the Yamaha DX7.
Also worth a look: Digital Suburban Dexed (A free, open-source DX7 emulation that loads original DX7 patches).
E-mu Emulator II
VerifiedSupplied a sampled sticky bongo pattern on the choruses, triggered from the kick drum track.
Source: Sound On Sound, accessed 15 Nov 2026
Emulation of this unit
Arturia Emulator II V
instrument
An emulation of the E-mu Emulator II.
Microphone
Album sessions, not stated for this song: Pair of microphones on the piano in the live room during the sessions.
Source: Sound On Sound, accessed 15 Nov 2026
Effects percussion and mix
Microphone
Neumann U 87
VerifiedPair of microphones, facing away from each other, on the bottle and glasses sounds heard late in the song.
Source: Sound On Sound, accessed 15 Nov 2026
Mix effects
Harrison MR3
VerifiedConsole on which the song was mixed in the Gallery.
Source: Sound On Sound, accessed 15 Nov 2026
Close match
Harrison Audio 32Classic Channel Strip
channel strip
Models the channel strip of Harrison's earlier 32-series desk, which has the same maker's proportional-Q style of EQ; it is not the MR3 itself.
Album sessions, not stated for this song: Stand-alone automation unit connected to the console for the mix.
Source: Sound On Sound, accessed 15 Nov 2026
Studer A820
VerifiedMachine the mix was recorded onto.
- Settings
- 30ips
Source: Sound On Sound, accessed 15 Nov 2026
Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look: Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape).
Approximate
Slate Digital Virtual Tape Machines
tape
Models two Studer machines, not this recorder. It gives the general behaviour of analogue multitrack tape.
Also worth a look: Universal Audio Studer A800 Tape Recorder (Models a Studer A800, not this recorder. It gives the general behaviour of analogue multitrack tape).
Sources
- Classic Tracks: Sade 'The Sweetest Taboo', Sound On Sound, 2004-11. Accessed 15 Nov 2026.
Stated by the engineer, producer or artist, or by the manufacturer.
Stated by a reputable secondary source.
An educated suggestion, not a documented fact.
Disclosure: plugin links currently go straight to the maker and earn us nothing. If that changes, affiliate links will be marked here. Suggestions are chosen on fit, never on commission, and are kept separate from the recording facts. More.