How It Was Recorded

Gear · software

Waves DeEsser

Records it appears on · 5

  • Rehab

    Amy Winehouse · Back to Black, 2006

    • Lead vocal · Mix effectsVerifiedDe-essing the lead vocalSettings: Centred around 5506 Hz, threshold 22, probably no more than 3 dB of reduction
  • bad guy

    Billie Eilish · When We All Fall Asleep, Where Do We Go?, 2019

    • Lead vocal · Mix effectsVerifiedDe-essing after the compressorSettings: Set at 6557Hz
  • All the Stars

    Kendrick Lamar and SZA · Black Panther: The Album, 2018

    • SZA vocals · Mix effectsVerifiedThree de-essers stacked on the SZA vocal sum, each aimed at a different harsh frequency, working like narrow multiband compression.Settings: Three instances targeting 11400Hz, 15032Hz and 2000Hz
  • Sum 2 Prove

    Lil Baby · My Turn, 2020

    • Lil Baby lead vocal (mix chain) · Mix effectsVerifiedFirst de-esser on the vocal aux, doing most of the sibilance control because the vocal felt too bright.
  • Mine

    Taylor Swift · Speak Now, 2010

    • Lead vocal · Mix effectsVerifiedFollowed the moderate compression on the lead vocal track in Niebank's account of Mine.

Sources for each use are on the record’s own page.

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Waves DeEsser

de-esser

The plugin used on the record.

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